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Realistic Photo and Eastern Minimalist Paper Embossed Diptych Poster

Realistic Photo and Eastern Minimalist Paper Embossed Diptych Poster — explore this gpt-image-2.5 creation on OpenZhenZhen, with its original prompt and a reusable generation example.

Realistic Photo and Eastern Minimalist Paper Embossed Diptych Poster — AI image creation
Realistic Photo and Eastern Minimalist Paper Embossed Diptych Poster

Prompt

Chinese prompt

将完整的ref-10a-v1实际照片仅通过identity_reference作为唯一照片及身份输入。创作一张竖版上下双拼视觉作品：上方为真实照片，下方为东方极简压印纸雕浮雕。上方完整保留且清晰呈现原始照片：保留同一位成年女性的脸型、五官、棕色中分长发、发色、肤色、平静直视的神态、黑色细肩带服饰、姿态、身体比例与摄影质感。不要把上方照片转成白色浮雕或插画；不要改变身份、姿势、服装或神情，也不要增加其他人物或动物。竖版构图所需时允许合理裁切，但须尽量保持原取景，不得改变主体身份。环境仍作为照片背景；只有其可见轮廓与人物动作有明确关系时，才可作为下方重构内容。本张人像的下方浮雕聚焦女性本身，不虚构场景或道具。 下方提取她最具识别度的面容、轮廓、姿态与平静直视的情绪，重构为具有中国印压浮雕 / 纸雕凹凸质感的东方极简艺术海报。上下须一眼可辨为同一位女性，但不要机械复刻照片的每个细节。以浅浮雕、细腻边缘阴影、极简线刻和克制层次，在厚重乳白色纸张上重新概括核心结构与空间关系。脸部不必做成写实雕像，但脸型、发型轮廓、服装结构、肩部、身体姿势与神态必须和照片对应；保持人物可辨，避免变成陌生雕像脸。采用克制的正视或微俯视浮雕人像。原文未规定上下区域的数值比例，因此按主体需要平衡竖版上下布局，不强行等分或添加数值比例。 下方以大面积乳白、暖白或浅纸色留白为基底。女性及确实相关的细节统一以浅色系纸雕浮雕呈现，通过压印高低差、边缘投影和柔和自然光建立层次。呈现真实厚纸压印质感：细腻纸张纤维、干净边缘、浅浅压痕与柔和自然阴影；必须像纸张压印，不要像石膏雕塑、陶瓷或电脑3D。只可在一两处真实焦点结构加入极少量哑金压印，例如沿一小段现有发丝轮廓或服装边缘作克制点缀。金色必须非常克制，绝不覆盖整个主体。避免颜色杂乱、过度装饰或堆砌场景。 简短标题必须成为画面结构的一部分，而非后贴标题说明。中文画面使用“静望”，以克制的衬线或高级编辑字体置于浮雕下方中央轴线，或沿浮雕结构对齐；使用哑金或深灰色。标题依据人物平静直视的神态提炼。不添加虚构地点。文字保持清晰、安静，与纸雕构图融为一体；不加解释性长文或虚构人物经历。 整体风格高级、宁静、极简、克制，具有东方美学、博物馆海报秩序与收藏级纸张艺术气质。观看者应先看到真实女性，再看到她的核心面容、姿态与情绪在下方被提炼为安静的压印浮雕。避免文字乱码、低清晰度、主体畸形、颜色杂乱、构图拥挤、廉价3D感、模板化海报感、整个人物涂金、陌生雕像脸或额外主体。

English prompt

Use the complete actual ref-10a-v1 photograph as the sole photo and identity input through identity_reference only. Create a vertical split-frame visual work with the real photograph above and an Oriental minimalist embossed-paper relief below. Keep the upper original photograph intact and recognizable: preserve the one adult woman's face shape, facial features, long center-parted brown hair, hair color, skin tone, calm direct expression, black thin-strap clothing, posture, body proportions and photographic texture. Do not turn the upper photo into a white relief or illustration; do not alter identity, pose, clothing or expression, and do not add another person or animal. Retain the source framing as far as the vertical composition allows; reasonable cropping is allowed only when needed to fit, without changing who she is. Keep environments as photo backgrounds; do not promote them to the lower reconstruction unless their visible contours clearly relate to her action. In this portrait, keep the lower relief focused on the woman and invent no setting or props. In the lower section, extract her most recognizable face, outline, posture and quiet direct-gaze mood, and reconstruct the same woman as an Oriental minimalist art poster with Chinese embossed-relief / paper-carving texture. Make the relationship to the upper photo immediately recognizable, but do not mechanically copy every photographic detail. Re-summarize the core structure and spatial relationships as a shallow relief on heavy milky-white paper, using delicate edge shadows, minimalist line carving and restrained layers. The face need not look like a realistic statue, but its shape, hairstyle outline, clothing structure, shoulders, body posture and expression must correspond to the photo. Keep her recognizable and avoid a strange or unfamiliar statue face. Use a restrained frontal or slight high-angle relief portrait; no numerical panel proportions are specified by the source, so keep the vertical top/bottom layout balanced to the subject rather than imposing equal halves or a numeric split. Build the lower image from a broad milky-white, warm-white or light paper-colored ground with generous quiet whitespace. Present the woman and any genuinely relevant details in one pale paper color system; establish depth through embossed height differences, subtle edge shadows and soft natural light. Show authentic heavy-paper embossing: fine paper fibers, clean edges, shallow indentations and soft natural shadows. It must feel like pressed paper, not plaster, ceramic or computer 3D. Add only a tiny amount of matte-gold embossing at one or two real focal structures, such as a restrained line following part of her existing hair contour or a small garment edge. Gold must remain subtle; never cover the whole subject in gold. Avoid messy colors, excessive decoration and piled-up scenery. Make the short title part of the image structure rather than a pasted caption. For the English render, use “Still Gaze”; place it in a restrained serif or high-end editorial style on the central axis below the relief or aligned to its structure, in matte gold or dark gray. The title reflects her calm direct expression. Do not add a fictional location. Keep any text legible and quiet, integrated with the paper-carved composition; no extra explanatory blocks or invented biographical facts. The overall style is high-end, quiet, minimalist, restrained and Oriental, with museum-poster order and a collectible paper-art feel. After viewing the composition, the viewer should first see the real woman and then recognize her core face, posture and emotion refined as a quiet embossed relief beneath. Avoid garbled text, low resolution, deformation, messy colors, crowded composition, cheap 3D appearance, templated-poster feel, a gold-painted whole subject, an unfamiliar statue face or any added subject.

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