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Rouleau ukiyo-e : d'Edo à Tokyo

Ukiyo-e Scroll: From Edo to Tokyo

Rouleau ukiyo-e : d'Edo à Tokyo — découvrez cette création avec MiniMax H3 sur OpenZhenZhen, son prompt original et un exemple de génération à réutiliser.

Rouleau ukiyo-e : d'Edo à Tokyo — AI video creation
Rouleau ukiyo-e : d'Edo à Tokyo

Prompt

Prompt chinois

15秒，16:9，24fps，二维日本浮世绘木刻版画动画，画面绘制在有纹理的象牙色和纸上。采用平涂手印色彩、可见木纹与纸纤维、略微不均匀的细黑墨线、金色云带和琳派式平面构图。只使用和纸象牙色、靛蓝、朱红、金色、金黄色、松绿色与墨黑色。所有成年女性角色（包括桥上的和服女子）必须依据提供的身份参考图匹配面部外观，并保持时代服装完整。禁止写实、3D、CG灯光、现代物件、日文汉字或假名、标志、水印；最终标题前不得出现文字。镜头运动平滑、缓慢且有控制，每个段落只有一个主要运动；转场柔和连续，不使用硬切、马赛克、拼贴，也不让物体凭空出现。0.0-2.5秒：深色木轴的闭合绘卷位于象牙色画框右侧，向左展开，露出日本桥；桥上人群开始行走，一艘线条平涂的小船从桥下滑出，水面产生波纹。镜头缓慢向左跟随展开的纸卷。2.5-5.0秒：柔和放大转场进入画面，纸张边缘消失。朱红色飘旗下的江户食品街出现：成年寿司师傅按压握寿司并放在木板上，荞麦锅升起蒸汽，厨师把面条从水中提起，顾客掀开暖帘走入店内。镜头缓慢推向寿司木板。5.0-7.5秒：墨洗晕染铺满画面，显现隅田川、拱形木桥、低矮町屋和金色云带。船夫撑篙，小船驶过桥边；樱花花瓣掠过水面；穿图案和服的成年女子转头看向镜头，面部匹配提供的身份参考图。镜头随小船缓慢向左移动。7.5-9.5秒：漂浮的圆形粉色花瓣匹配变成圆形红灯笼。深靛蓝夜空下出现町屋街道。两侧灯笼依次点亮；远处歌舞伎剧场帷幕打开，画着红色勘过妆的成年演员定格摆出见得姿势。镜头从灯笼缓慢向上倾斜至屋顶和天空。9.5-12.5秒：上倾运动缓缓转为拉远。金色烟花在河面上空绽放后消散，视野扩展为一幅连续的江户鸟瞰折屏画：密集木屋屋顶、蜿蜒运河、拱桥、船只、朱红鸟居、寺院区域和江户城层叠白色天守，金色云带在街区间飘动。11.5秒起，象牙色绘卷边缘从上下滑入，框住整座城市。12.5-15.0秒：柔和缩小转场显示右侧金色天空中的雪顶富士山，左侧是大片空白象牙色和纸。樱花花瓣飘过空白纸面。居中的英文标题“EDO”渐显，一拍后下方出现“NOW CALLED TOKYO”。两行均为浅墨黑色几何无衬线大写字母，清晰锐利并保持静止，不出现其他文字或日文字符。最后1.5秒镜头完全静止。全片保持相同的七色浮世绘调色、和纸质感与手刻墨线质量。

Prompt anglais

15-second, 16:9, 24fps, 2D animated Japanese ukiyo-e woodblock print on textured ivory washi paper. Flat hand-printed colors, visible woodgrain and paper fibers, thin slightly uneven sumi outlines, gold cloud bands, Rinpa-style flat composition. Use only washi ivory, indigo, vermilion, gold, golden yellow, pine green, and sumi black. Adult female characters, including the woman in the kimono on the bridge, must match the supplied identity reference image for facial appearance; keep their period clothing intact. No photorealism, 3D, CG lighting, modern objects, kanji or kana, logos, watermarks, or text before the final title. Use smooth, slow, deliberate camera motion with one primary move per shot; transitions are soft and continuous, with no hard cuts, mosaic, tiling, or objects appearing from empty space. 0.0-2.5s: A closed emakimono with dark wooden rollers sits at the right edge of an ivory frame. It unrolls leftward to reveal Nihonbashi Bridge; the painted crowd begins walking and a flat-outlined boat glides from beneath the bridge as water ripples. Slow leftward tracking beside the unrolling paper. 2.5-5.0s: A soft zoom-in transition enters the painting and removes the paper edges. An Edo food street lies beneath fluttering vermilion banners: an adult sushi chef presses nigiri and places it on a wooden board, steam rises from a soba pot as noodles are drawn out, and a customer lifts a noren and steps inside. Slow push toward the sushi board. 5.0-7.5s: An ink-wash bleed fills the frame and reveals the Sumida River, an arched wooden bridge, low townhouses, and gold cloud bands. A boatman poles a small boat past the bridge; cherry petals blow across the water; the adult woman in a patterned kimono turns her head toward camera, matching the supplied identity reference image. Slow leftward tracking with the boat. 7.5-9.5s: A drifting round pink petal matches into a round red paper lantern. Nighttime machiya streets appear under a deep indigo sky. Lanterns illuminate one after another; a kabuki curtain opens at the far end and an adult actor in red kumadori makeup holds a mie pose. Slow upward tilt from lanterns to rooftops and sky. 9.5-12.5s: The upward motion eases into a slow widening view. Golden fireworks bloom and fade above the river, then the view expands into one continuous bird's-eye folding-screen painting of Edo: dense wooden rooftops, winding canals, arched bridges, boats, vermilion torii, temple grounds, and the tiered white keep of Edo Castle, separated by drifting gold cloud bands. From 11.5s, the ivory scroll edges slide in at top and bottom to frame the whole city. 12.5-15.0s: A soft zoom-out transition reveals snow-capped Mount Fuji on the right against a gold sky and wide empty ivory washi paper on the left. Cherry petals drift over the blank paper. The centered English title “EDO” fades in, followed one beat later by “NOW CALLED TOKYO” beneath it. Both lines are pale sumi-black geometric sans-serif capitals, perfectly legible and static, with no other text or Japanese characters. The camera settles completely still for the final 1.5 seconds. Maintain the same seven-color ukiyo-e palette, washi texture, and hand-cut ink quality throughout.

Thèmes et styles

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