最後の折り鶴の記憶

英語プロンプト

THE LAST PAPER CRANE @Image1 is the exact face/identity reference. Young Korean woman, early 20s, natural Korean features, long black hair in a loose low ponytail, cream vintage blouse, dark olive midi skirt, brown ankle boots, burgundy scarf, tan leather handbag, holding a white paper crane. Keep face, outfit, hair, and proportions consistent. Setting: 1940s Seoul at golden hour — narrow hanok streets, tiled rooftops, wooden gates, lanterns, stone paths. The environment gradually transforms into a surreal floating origami world while she remains under normal gravity. Timeline — 30s, continuous camera movement: - 0–3s: She walks through a quiet alley as rooftops slowly unfold like paper. - 3–6s: The stone path curves upward; doors and lanterns rotate vertically. - 6–9s: The street becomes a floating staircase surrounded by rooftops and drifting paper. - 9–12s: She crosses a suspended stone bridge above Seoul beneath a golden sky. - 12–15s: Wind pulls the paper crane away; she reaches for it as her scarf moves naturally. - 15–18s: She follows it through a surreal floating market. - 18–21s: The crane lands in an old courtyard where an elderly Korean woman folds another crane. - 21–24s: She places the crane on the table; the elderly woman points toward the sky. - 24–27s: The entire neighborhood folds together into a giant origami city. - 27–30s: Camera rises above the courtyard, revealing the floating paper city as the crane flies toward the lens. Style: Photorealistic live-action, amber/soft-teal grade, anamorphic 35mm, shallow DOF, volumetric sunlight, realistic fabric and paper movement, subtle film grain. Audio: Footsteps, wind, creaking wood, distant market sounds, fabric and paper movement. No music, dialogue, or artificial SFX. Negative: No anime, cartoon, CGI look, modern elements, face distortion, duplicates, morphing, unrealistic gravity, text, subtitles, logos, watermark, excessive glow, fog, or hard cuts. Format: 16:9, 30 seconds.