第二次世界大戦の戦場を捉えたFPVシネマティックショット

英語プロンプト

30-second ultra-cinematic immersive first-person battlefield flight through a fictional WWII-era battlefield. The viewer experiences the movement directly through an invisible camera viewpoint. The camera itself is completely unseen and physically nonexistent in the image: only the environment and action are visible. Photorealistic, extreme velocity, realistic inertia, wide-angle perspective, seamless continuous movement. 0–4s: Begin high inside smoke above the battlefield. Instantly plunge into a steep vertical dive, rotating 180° as the ground rapidly approaches. Trenches, armored vehicles and ruined buildings rush toward the viewer. 4–8s: Pull out just above muddy terrain at extreme speed. A WWII-era fighter aircraft tears across the sky overhead. Immediately bank hard around wreckage, perform a complete 360° aerial roll, then dive into a narrow trench. 8–12s: Race through the trench at incredible speed, weaving between wooden supports, sandbags and moving soldiers. Burst upward, skim directly over an armored vehicle, then dive underneath its raised chassis and emerge at full speed. 12–17s: Accelerate across cratered terrain. Hard left around wreckage, hard right around a military truck, then climb rapidly toward ruined buildings as another aircraft crosses overhead. 17–22s: Target a shattered second-floor window. Rapidly climb and pass directly through it at full speed, thread through ruined rooms, rotate 90° through a doorway, descend through a stairwell opening and burst through another window into daylight. 22–26s: Dive toward a massive crater, spiral tightly around its interior wall, recover at the last moment and race between two armored vehicles while dust, smoke and debris rush past. 26–30s: Maximum acceleration toward a ruined church tower. Spiral vertically around the tower, complete a fast 360° roll through dense smoke, then burst above the smoke into a gigantic aerial battlefield reveal and continue toward the horizon. The entire sequence is seen exclusively from an invisible first-person cinematic viewpoint. No physical camera equipment is ever visible. No object occupies the foreground as a filming device. The viewer simply experiences impossible aerial movement. Continuous momentum, realistic motion blur, strong environmental parallax, volumetric smoke, dust turbulence, mud particles, sparks, rapid exposure changes and physically coherent transitions. No conventional cuts.