OpenZhenZhen AI 프롬프트 갤러리 · SEEDANCE2.5 · video

실험실 수은 표본 격리

Lab Mercury Specimen Containment

‘실험실 수은 표본 격리’은(는) SEEDANCE2.5로 만든 작품입니다. OpenZhenZhen에서 원본 프롬프트와 생성 예시를 살펴보고 새로운 창작에 활용해 보세요.

실험실 수은 표본 격리 — AI video creation
실험실 수은 표본 격리

프롬프트

영어 프롬프트

Cinematic sci-fi horror-thriller short film set in a research laboratory, opens with an immediate strong hook at full speed, no slow motion until later in the sequence, maximum dynamic camera work, grounded practical-effects style. Lab filled with steel equipment, glass containment tubes, monitors, specimen tables, harsh fluorescent lighting. Four scientists in lab coats work at various stations. Muted authentic color grading, natural diegetic sound throughout, tension score entering immediately. > > **[0-1s]** Extreme close-up, real-time: a small container shatters violently, silvery liquid bursting outward fast. > > **[1-2s]** Low-angle tracking shot along the floor: the mercury mass surges fast across the table like living liquid. > > **[2-3s]** Whip-pan to the nearest scientist's face — eyes widening in horror as it reaches him. > > **[3-4s]** Overhead top-down shot: it engulfs his leg and torso in a flash of silver, full speed. > > **[4-5s]** Extreme close-up: his flesh dissolves rapidly, collapsing into a bare skeletal frame, clothes crumpling. > > **[5-6s]** Wide shot pulling back fast: the other three scientists scream, scrambling in different directions. > > **[6-7s]** Side-tracking shot: the liquid mass splits into two fast streams racing across the floor. > > **[7-8s]** Low-angle shot from floor level: one stream catches a second scientist's ankle, surging up instantly. > > **[8-9s]** Close-up on his face, cut short mid-scream as the transformation completes, frame crumpling down. > > **[9-10s]** Handheld chase-cam following the two survivors sprinting toward opposite ends of the lab. > > **[10-11s]** Quick cut: the lead scientist grabs a fire extinguisher off the wall, spinning to face the threat. > > **[11-12s]** Close-up on the nozzle as she blasts a direct stream of cold CO2 at the advancing mass. > > **[12-13s]** SLOW MOTION insert: the creature's surface visibly seizing and slowing on contact with the cold. > > **[13-14s]** Wide shot, real-time: the second scientist grabs a heavy steel tray, sliding it forward to block its path. > > **[14-15s]** Tracking shot circling the standoff as the creature's movements turn sluggish and disjointed. > > **[15-16s]** Close-up on her face, fear and determination mixed, stepping closer despite the danger. > > **[16-17s]** Overhead shot: the mercury mass thickens and slows further, struggling to hold its shape. > > **[17-18s]** Quick cut: the second scientist grabs a large glass containment dome from a nearby shelf. > > **[18-19s]** Dynamic side-angle: together they corner it against the wall, extinguisher spray never letting up. > > **[19-20s]** SLOW MOTION close-up: she slams the dome down just as it fully stiffens. > > **[20-21s]** Low-angle shot, real-time: he slides the steel tray underneath fast, sealing it in completely. > > **[21-22s]** Wide shot: both step back fast, chests heaving, staring at the trapped mass. > > **[22-24s]** Slow push-in shot, real-time: the lab wrecked — two empty skeletal frames, overturned equipment, survivors shaken. > > **[24-25s]** Extreme close-up: a faint ripple moves weakly across the dome's contents — still alive, now contained. > > **[25-26s]** Close-up on trembling hands as the lead scientist marks the dome with a warning symbol. > > **[26-28s]** Tracking shot from behind: they back away toward the exit together, eyes locked on the dome. > > **[28-30s]** Final extreme close-up: the silver mass presses weakly against the glass from inside, camera holding still. Cut to black. Add a very small, subtle watermark text "AUQIB" in backstabber font in the bottom right corner of the frame, visible throughout the entire video. > Natural diegetic sound throughout — glass shattering, liquid rushing, screaming, hissing extinguisher, heavy breathing — layered with a tense instrumental score building through the chase and easing into wary stillness at the end. No text overlay. Maximum dynamic camera variety — low angles, overhead shots, whip pans, tracking shots, extreme close-ups, with slow motion reserved only for the two containment moments (shots 12-13 and 19-20). Realistic shake only during physical impacts, muted clinical color grading with a metallic sheen on the creature.

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