OpenZhenZhen AI 提示词画廊 · gpt-image-2.5 · image

伦敦大本钟地标档案海报

London Big Ben Landmark Archive Poster

2:3 伦敦建筑艺术海报：上半真实黄昏伦敦摄影，下半温暖象牙纸上的二维建筑解构，两部分严格对应伊丽莎白塔、英国议会大厦与泰晤士河。

伦敦大本钟地标档案海报 — AI image creation
伦敦大本钟地标档案海报

提示词 / Prompt

中文提示词

创作一张高级 2:3 竖幅伦敦城市地标建筑艺术海报，属于 ICONIC LANDMARK SERIES。上半约 45% 是从泰晤士河南岸望向英国议会大厦的真实城市摄影；下半约 55% 是同一组地标在温暖象牙白艺术纸上的极简二维建筑解构。上下必须清楚对应同一套伦敦地标。上半：伊丽莎白塔/Big Ben 位于视觉中心略右，完整塔身从底到尖塔不裁切，保持真实比例，清楚表现淡金钟面、哥特复兴尖塔、石材立面、垂直窗格和顶部尖顶。英国议会大厦横向紧邻展开，形成典型天际线；暖米黄色石材带柔和夕阳金色高光。宽阔的泰晤士河占摄影区约 20–25%，低饱和蓝灰水面有细密波纹和轻微倒影；可有极小游船，远处现代建筑弱化。时段为 Golden Hour 进入 Blue Hour 的傍晚，天空自然渐变为淡灰蓝、雾紫、浅桃粉和微暖金色，带少量英国层状云与柔软积云，轻微阴天但不阴沉；侧后阳光穿云给塔边缘细金色轮廓光。使用 50–85mm 建筑摄影、中长焦压缩、笔直垂线、无鱼眼或夸张广角。下半：暖象牙白/奶油白高级纸张与大量干净留白，把上半建筑变为极简二维建筑档案插画。Big Ben 保持上方相似视觉轴线，保留高矩形塔身、四面钟盘、淡金钟面、哥特窗格、尖塔与细塔尖；用矩形、细竖线、三角、尖拱和极细几何线简化，色彩为浅砂岩、暖米色、灰褐、低饱和金和深灰蓝，无粗黑描边。左侧延伸低于 Big Ben 的议会大厦，保留连续尖顶、矩形主体、塔楼、尖拱窗和水平基座。Big Ben 后方偏左放一枚巨大半透明雾粉/玫瑰灰/浅桃色几何圆形太阳，部分被建筑遮挡，不使用真实太阳纹理。建筑基部用极细深灰蓝水平线，下面加 5–7 条雾蓝、灰蓝、浅海军蓝的不同长度细线，抽象代表泰晤士河；可在不超过画面 1% 处藏一个极小红色双层巴士剪影。排版必须是建筑事务所档案与博物馆展览图录风格：左下主文字精确为“LONDON”与“BIG BEN”，细字重现代主义无衬线、深海军蓝、明显字距和极细短横线；小字“LONDON, UNITED KINGDOM”。左上小字“ICONIC LANDMARK SERIES — No.001”；右上“EST. 1859”；右下“51.5007° N 0.1246° W”；最下方“PALACE OF WESTMINSTER”。整体融合 Swiss International Style、British modernism、Bauhaus、中世纪旅行海报、建筑社论、日式与斯堪的纳维亚极简；温暖象牙纸、大留白、精确网格、超细线、低饱和莫兰迪配色、准确建筑比例，上真实摄影下二维解构，安静克制的英伦建筑杂志和博物馆收藏质感。避免卡通 Big Ben、儿童插画、赛博朋克、霓虹、未来城、3D、黏土、油画、水彩、粗黑描边、过饱和、强 HDR、错误比例/钟面/哥特结构、重复钟楼、透视错误、密集游客车辆、杂乱背景、伦敦眼抢主体、乱码文字和廉价明信片风。

English prompt

Create a premium 2:3 vertical London architectural art poster in the ICONIC LANDMARK SERIES. The upper 45% is real city photography from near the South Bank looking toward the Palace of Westminster; the lower 55% is a minimalist 2D architectural deconstruction of the exact same landmarks on warm ivory art paper. The two halves must visibly correspond. Upper half: Elizabeth Tower/Big Ben sits slightly right of visual center, fully visible from base through spire with real proportions, pale-gold clock face, Gothic Revival spire, stone facade, vertical panes, and top tip. The Palace of Westminster extends horizontally beside it into the classic skyline, in warm beige stone with gentle sunset-gold highlights. The wide Thames occupies about 20–25% of the photographic area, low-saturation blue-gray with fine ripples and a slight reflection; a tiny tour boat is optional and distant modern buildings are subdued. Set it in London evening transitioning from Golden Hour to Blue Hour, with pale gray-blue, misty purple, light peach-pink, and faint warm-gold sky gradients; a few British stratiform and soft cumulus clouds feel slightly overcast but not gloomy. Side-back light through clouds gives the tower a fine gold rim. Use 50–85mm architectural photography, medium-telephoto compression, straight verticals, no fisheye or exaggerated wide angle. Lower half: warm ivory/cream premium paper and large clean negative space, turning the same buildings into a minimalist 2D archive illustration. Keep Big Ben on the same visual axis, with tall rectangular body, four clock faces, restrained pale-gold circles, Gothic panes, spire, and slender tip, simplified into rectangles, fine verticals, triangles, pointed arches, and ultra-fine geometry in light sandstone, warm beige, taupe, low-saturation gold, and deep gray-blue, with no heavy black outlines. Extend a shorter Palace of Westminster to its left, retaining continuous spires, rectangular body, towers, pointed-arch windows, and horizontal base. Add one giant translucent dusty-rose/pale-peach geometric sun behind and left of Big Ben, partly obscured by the buildings, never textured like a real sun. Establish the Thames with one ultra-fine dark gray-blue baseline and 5–7 varying-length misty-blue, gray-blue, and pale-navy lines below; an ultra-small red double-decker bus silhouette may be hidden within 1% of the frame. Use architectural-firm archive and museum-catalog typography. Required exact text: lower left “LONDON” then “BIG BEN”, thin modernist sans-serif in deep navy with wide tracking and a very fine short rule; small “LONDON, UNITED KINGDOM”. Upper left “ICONIC LANDMARK SERIES — No.001”; upper right “EST. 1859”; lower right “51.5007° N 0.1246° W”; bottom “PALACE OF WESTMINSTER”. Blend Swiss International Style, British modernism, Bauhaus, mid-century travel poster, architectural editorial, Japanese and Scandinavian minimalism. Keep warm ivory paper, precise grid, ultra-fine lines, low-saturation Morandi palette, accurate proportions, calm British architectural-magazine restraint, and museum-quality collector-poster finish. Avoid cartoon Big Ben, children's illustration, cyberpunk, neon, future city, 3D, clay, oil, watercolor, thick black outlines, oversaturation, strong HDR, incorrect tower proportion or clock face, wrong Gothic structure, repeated towers, perspective errors, dense tourists or cars, clutter, London Eye stealing focus, gibberish text, or cheap postcard styling.

查看 API 模型

探索更多图片和视频提示词 · 生成图片 · 生成视频 · 在 AI 画布中创作

  • 几何折纸蓝图风蜘蛛侠

    Hyper-detailed folded-paper SpiderMan blueprint preserving the source geometry, blueprint annotations, minimal paper-and-ink palette, studio lighting, crisp shadows, architectural-art style and photorealistic paper detail. The configured reference is attached only as the workflow-required generic id

  • bunny girl

    单人竖版电影宣传海报，真人电影摄影质感。一位20岁的亚洲成年女性，五官精致，身形丰满匀称，黑发松松挽起，几缕发丝垂在脸侧。佩戴黑色缎面兔耳、白色领结与腕饰，身穿露肩、露背、高腿剪裁的黑色缎面连体舞台服，不透明面料完整覆盖胸部与臀部，肩颈、背部、手臂和大腿自然裸露，腰后点缀小巧的白色绒球兔尾。 她侧背对镜头站在暗红色天鹅绒帷幕之间，肩背舒展，轻轻转头回眸。嘴角上扬，微微露齿，眼尾含笑，笑容自然、妩媚而灵动，目光自信。细腻眼线、柔和腮红与玫瑰色唇妆衬托精致面容。取景从兔耳顶端至膝盖上方，脸部位于画面上三分之一，人物轮廓清晰，姿态优雅。 深黑、酒红与琥珀金构成浓郁的戏剧色调。一束暖金色聚光从侧后

  • 真实照片与动漫插画融合

    以一张真实的对镜自拍照片为参考，创作一幅细节丰富、风格迷人的混合媒介插画。画面中，一位年轻女子站在现代电梯内，正用智能手机对镜自拍。她留着深色长发，戴着圆框眼镜，神情放松，身穿浅蓝白条纹短款纽扣衬衫、宽松蓝色牛仔短裤，脚踩厚底白色运动鞋。 在她身旁，绘制同一个女孩的可爱 2D 手绘动漫形象，发型、穿搭、身材比例、手机和姿势都要与真人保持一致。插画角色需具备超大且富有表现力的眼睛、圆框眼镜、红润的脸颊、蓬松凌乱的黑色长发以及俏皮可爱的身形比例。两个版本的人物都应摆出相同的姿势：一只手臂自然搭在头顶上方，呈现随性又默契的对镜自拍姿态。 艺术风格：将写实摄影与手账风动漫插画完美融合。使用随性的黑

  • 酒吧兔女郎

    电影宣传海报，极致光影，人像叙事感，主角为20岁兔女郎，无文字，性感，妖媚，丰满

  • Z世代少女与拉布布的橙调时尚大片

    以当前配置的人像作为泛化人物身份参考，创作橙色影棚中的超写实时尚大片：人物、真人大小的毛绒Labubu玩偶与英国短毛猫共同入镜。 | Use the currently configured portrait as the generic subject identity reference for a hyper-realistic orange-studio fashion editorial featuring the subject, a life-sized furry Labubu character, and a British Shorthair cat.

  • 情人节玫瑰巧克力报纸大片

    使用当前面部与肩部参考保持人物身份；人物仰卧于可读报纸上，搭配红西装、玫瑰、巧克力与心形光影，呈现俯拍情人节杂志大片。 | A top-down Valentine’s Day editorial using the current face-and-shoulders reference for likeness, with readable newspapers, a red blazer, roses, chocolates and heart-shaped light.