OpenZhenZhen AI 提示词画廊 · gpt-image-2.5 · image

照片转绘滑稽鬼脸蜡笔涂鸦对比海报

Photo to Crayon Doodle Funny Faces Comparison Poster

来自 OpenNana 的图像提示词,已按本地图像分类和站点 gpt-image-2.5 归类整理。 使用时需上传人物参考图;本流程使用统一参考人物生成示例。

照片转绘滑稽鬼脸蜡笔涂鸦对比海报 — AI image creation
照片转绘滑稽鬼脸蜡笔涂鸦对比海报

提示词 / Prompt

中文提示词

以用户上传的参考图作为主要可见人物的面部身份依据。在不与身份参考冲突的情况下,保留来源的场景、造型、服装、姿势、构图、光线和视觉风格。 将人物渲染为风格化插画,只保留参考图的面部身份特征;不要生成写实摄影人像。 请将我上传的每一张照片分别制作成一张独立的 3:4 竖版转绘对比海报,不多图拼接,每张照片单独输出。画面采用清晰的上下双联结构:上半部分保留完整真实原图,下半部分将同一主体转绘为粗糙、滑稽、略带鬼脸感的蜡笔涂鸦。 上半部分保持照片中主体的身份、数量、姿态、动作、服装、动物毛色、建筑结构、环境关系、观察角度和真实光影,仅进行轻微摄影调色。不得增删人物或动物,不得改变地点,不得将摄影部分插画化。 下半部分保留原图主体最具辨识度的轮廓、姿态和关系,但不要进行写实临摹。将人物或动物的脸部提炼并适度放大,故意夸张眼睛、眉毛、鼻子、牙齿、舌头、嘴角和面部比例,形成歪斜、不对称、稍显笨拙的滑稽鬼脸。表情可以比原图更荒诞、更有戏剧性,但仍须能够辨认出原来的主体;不要变成恐怖形象,也不要套用固定卡通角色。 使用粗黑蜡笔、油画棒和油性铅笔反复寻找轮廓。线条应抖动、断裂、重叠、粗细不均,保留擦除、回笔、涂出边界和未经修整的痕迹。色彩从原图提取并压缩为有限色盘,以粗糙摩擦、局部留白和不均匀叠色表现身体、衣服或毛发。不要使用平滑描边、干净色块和精致数字上色。 背景只保留足以辨认地点或动作关系的少量线索,例如建筑轮廓、座椅、栏杆、道路、树木或旅行地标,并用更加潦草、低密度的笔触概括。主体应比原图更集中、更有冲击力,周围保留一部分温暖纸白,不要把所有摄影细节重新画满。 在下半部分留白处加入一组简短英文手写文字: - 根据画面提炼一个 1–3 词主标题; - 加入字段“SCRIBBLE STUDY 01”; - 加入一句描述画面真实动作或表情的简短观察。 文字使用歪斜、干涩、略有断裂的铅笔或蜡笔手写体,像画画的人随手记在纸边,清楚可读但不要过分规整。不得出现作者名、品牌、网址、Logo、水印、假引用、乱码或多余文字。 整体呈现一种故意不画漂亮的手工涂鸦感:粗糙、滑稽、荒诞、有一点鬼脸气质,同时保留原照片中真实的人物关系、动物特征和旅行记忆。 避免:精致卡通、可爱萌系、日漫风、光滑矢量、写实素描、恐怖血腥、统一模板脸、完整背景临摹、过多装饰、改变主体数量、改变人物姿态、虚构地标和摄影部分插画化。

English prompt

Use the uploaded reference image as the facial identity reference for the main visible person. Keep the source scene, styling, clothing, pose, composition, lighting and visual style unless they conflict with the identity reference. Render the person as a stylized illustration that preserves the reference facial identity cues; do not turn the result into a photorealistic camera portrait. Please turn every photo I upload into an individual 3:4 vertical transformation comparison poster, no multi-image stitching, output each photo separately. The screen adopts a clear top-and-bottom dual-link structure: the upper half retains the complete original photo, and the lower half transforms the same subject into a rough, funny, slightly grimace-like crayon scribble. The upper part maintains the identity, quantity, posture, movement, clothing, animal fur color, architectural structure, environmental relationship, observation angle, and real lighting of the subject in the photo, with only slight photographic color grading. Do not add or delete people or animals, do not change the location, and do not turn the photographic part into an illustration. The lower part retains the most recognizable outline, posture, and relationship of the subject in the original photo, but do not perform realistic copying. Refine and appropriately enlarge the faces of people or animals, deliberately exaggerating eyes, eyebrows, nose, teeth, tongue, corners of the mouth, and facial proportions to form a skewed, asymmetrical, and slightly clumsy funny grimace. Expressions can be more absurd and dramatic than the original photo, but must still be recognizable as the original subject; do not turn into horror images, and do not apply fixed cartoon characters. Use thick black crayons, oil pastels, and oil pencils to repeatedly search for outlines. Lines should be shaky, broken, overlapping, uneven in thickness, and retain traces of erasing, back-strokes, coloring outside the boundaries, and untrimmed marks. Extract colors from the original photo and compress them into a limited color palette, representing bodies, clothes, or hair with rough friction, local white space, and uneven overlapping colors. Do not use smooth outlines, clean color blocks, or exquisite digital coloring. The background only retains a few clues sufficient to identify the location or action relationship, such as building outlines, seats, railings, roads, trees, or travel landmarks, and summarizes them with more scribbly, low-density strokes. The subject should be more concentrated and impactful than the original photo, with a part of warm paper white reserved around it; do not redraw all the photographic details fully. Add a set of short English handwritten text in the blank space of the lower half: - Refine a 1–3 word main title based on the image; - Add the field "SCRIBBLE STUDY 01"; - Add a short observation describing the real action or expression in the image. The text uses skewed, dry, slightly broken pencil or crayon handwriting, like a painter's casual notes on the edge of the paper, clearly legible but not overly regular. No author names, brands, URLs, logos, watermarks, fake quotes, garbled code, or redundant text should appear. Overall presentation is a deliberate non-pretty manual graffiti feel: rough, funny, absurd, with a bit of a grimace quality, while retaining the real character relationships, animal characteristics, and travel memories in the original photos. Avoid: exquisite cartoons, cute style, Japanese anime style, smooth vectors, realistic sketches, horror and gore, uniform template faces, complete background copying, excessive decoration, changing the number of subjects, changing character postures, fictional landmarks, and turning the photographic part into an illustration.

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