OpenZhenZhen AI 提示词画廊 · gpt-image-2.5 · image
东方自然文化主题分层纸本编辑海报
Layered Paper Editorial Poster on Eastern Nature and Culture
暖象牙艺术纸上的不对称自然文化展览海报：大幅东方书法、低饱和撕纸色块、嵌入式真实风景摄影窗口与前景立体自然物，默认9:16。
提示词 / Prompt
中文提示词
生成一张东方自然文化主题的展览海报，采用不对称编辑设计。主题：风迹。默认竖幅比例为9:16；使用所选画幅比例9:16。 背景使用暖象牙米白艺术纸，保留细微天然纤维与克制印刷颗粒，并留出大面积空白，使画面安静、自然、松弛且有文化感。在画面上方或略偏右放置巨大的现代东方手写书法标题“风迹”，标题为2–4个汉字。书法以笔压变化和墨色浓淡为表现重点，成为主要视觉锚点。搭配纤细优雅的英文衬线标题Wind Trace，再加入少量有意义的中文短句、英文说明和日期信息，形成“大书法、英文标题、小字号编辑文字”的层级。 画面中部加入一个完整清晰的大型低饱和自然色块，主色为低饱和苔绿色。边缘带自然撕纸、山体地形或有机形态感，不要碎裂成许多小片。色块内部开出一个圆形、椭圆形、竖向或不规则自然窗口，窗口呈现雾中山林的真实摄影场景；摄影区域低对比、低饱和，带薄雾与空气透视，仿佛透过纸张开孔看见另一个真实自然空间。 画面下部加入真实立体前景物件：石钵、苔石、枯木、薄纸、植物。材质、体积、接触阴影和空间关系须可信。让实物局部遮挡平面色块或摄影窗口，严格建立以下前后层级：艺术纸背景 → 平面色块 → 自然摄影窗口 → 真实立体实物。围绕风、水、苔藓、松木、山石、草穗组织主题，使所有元素共同表达一个清晰自然概念，而非装饰堆砌。 文字散落于留白区域，少量纵向排版、边缘排版和超小字号信息均可，但文字必须有实际意义。配色限制在暖象牙白、低饱和苔绿色、石灰灰、灰褐和墨褐等低饱和范围；整体哑光、柔和、稳定，不用高饱和色。保留轻微胶版印刷、手工印刷和纸本出版物质感，但不过度做旧。远看先读到巨大书法、完整色块与清晰立体物，近看再发现摄影窗口、小字和材质细节。不要添加无关装饰、文字杂乱或随机碎片。
English prompt
Create an Eastern nature-culture exhibition poster in an asymmetric editorial-design style. Theme: Wind Trace. Default portrait aspect ratio: 9:16; use the selected aspect ratio 9:16. Use a warm ivory/off-white art-paper background with subtle natural fibers and restrained printing grain. Preserve generous white space so the composition feels quiet, natural, relaxed and culturally grounded. Near the top or slightly right of center, place a huge, authentic modern Eastern handwritten-calligraphy title, 风迹, set in 2–4 Chinese characters. The calligraphy is the primary visual anchor, with expressive brush pressure and ink-density variation. Pair it with a slender elegant English serif title, Wind Trace, and a small amount of meaningful Chinese phrases, English descriptions and date information, building the hierarchy: large calligraphy, English title, small editorial text. In the middle, add one large coherent low-saturation natural color block in low-saturation moss green. Give its edge the organic feel of torn paper, mountain terrain or natural forms; keep the shape complete and clear rather than fragmented. Cut one circular, elliptical, vertical or irregular natural window inside it. Through this opening show a real photographic scene of misty mountain forest, low in contrast and saturation with mist and aerial perspective, as if another real natural space is seen through a hole in paper. At the bottom, add real three-dimensional foreground objects: stone bowl, mossy stone, dead wood, thin paper, plants. Give them believable material, volume, contact shadows and spatial relationships. Let the physical objects partly occlude the flat color block or photography window, establishing this exact front-to-back order: art-paper background → flat color block → natural photographic window → real physical object. Organize the theme around wind, water, moss, pine, mountain rocks, grass heads so all elements express one coherent natural concept rather than a pile of decoration. Scatter meaningful text within the white-space areas; a small amount of vertical type, edge placement and ultra-small information is acceptable. Keep all wording relevant. Limit the palette to warm ivory, low-saturation moss green, stone gray, taupe and ink brown; matte, soft and stable, never highly saturated. Retain the subtle feel of offset printing, handmade printing and paper publications without over-aging. From a distance, the huge calligraphy, complete color block and clear 3D objects should read first; on closer inspection, reveal the photographic window, small text and material details. No unrelated ornament, text clutter or random fragments.
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