OpenZhenZhen AI 提示词画廊 · gpt-image-2.5 · image
紙上修補：東方手作文化海報
Paper Restoration: Eastern Handcraft Culture Poster
A modern Oriental editorial culture-event poster built from handmade-paper texture, a large pigment field, generous negative space, and a tiny adult paper-repair artisan scene.
提示词 / Prompt
中文提示词
設計一張現代東方文化活動編輯海報。預設值：海報主題紙上修補：東方紙藝文化展；小尺寸主標題紙上修補；核心大色域朱砂紅與礦物青的交疊紙層，以紙面裂隙連接；結構方式裂隙連接與纖維放射；主色調低飽和朱砂紅、礦物青與暖象牙白；微型文化場景一位成年紙藝匠人在修補紙面裂紋；人物動作用小錘與紙片沿裂隙進行手工修補；文化器物紙片、小錘、毛筆與少量鍛補釘；活動資訊日期與地點未提供，不顯示；不虛構活動資訊；畫幅3:4 vertical。背景使用溫潤暖象牙白手工紙，保留45%–60%大面積主動留白。以大色域建立第一視覺，依選定結構形成清楚有方法感的大形關係；可用纖維放射、紙面鏤空、裂隙連接、正負形轉換或拓印痕跡表達主題，不直接做成普通寫實物件。大色域呈現天然紙纖維、紙漿顆粒、水彩或礦物顏料沉積、自然毛邊和啞光質感。色彩低飽和但完整有濃度：遠看先讀到大形與色彩關係，近看才發現材料細節。在色域附近加入尺度很小的文化場景，僅佔海報3%–5%：一位成年紙藝匠人在修補紙面裂紋，人物正在真實完成用小錘與紙片沿裂隙進行手工修補並使用紙片、小錘、毛筆與少量鍛補釘。將成年匠人的身份綁定已配置參考ref-10a-v1。人物統一採用二維紙本淡彩插畫：五官簡潔、輕微體積、完整平面色塊和少量連續衣褶線，與紙張和色域屬於同一視覺世界。避免攝影真人感、3D微縮模型、CGI光影、強投影和真實景深。微型場景與巨大主視覺之間建立材料尺度連接，例如纖維、紙屑、裂隙、鍛補釘、墨跡、工具軌跡或紙張本身，讓小手工動作自然延展成大色域結構。將紙上修補以小尺寸現代宋體或明朝體放在留白處。日期、地點和日期與地點未提供，不顯示；不虛構活動資訊使用更小字級克制排版；實際活動日期和場地未提供，因此不要虛構。文字不搶主視覺，也不加入無意義占位文案。整體閱讀順序：留白與大色域→結構關係→紙纖維質感→微型文化場景→工藝動作→標題與活動文字。最終呈現遠看醒目、近看有紙感、細節和文化故事的東方編輯海報。避免巨大標題、普通國風插畫、寫實人物、3D微縮模型、攝影背景、PPT網格、商業廣告感、髒舊紙張、隨機噪點、CGI、玻璃或鏡面材質、Logo、水印、編號及星芒裝飾。
English prompt
Create a modern Oriental culture-event editorial poster. Defaults: poster theme 紙上修補：東方紙藝文化展; small main title 紙上修補; core large color field 朱砂紅與礦物青的交疊紙層，以紙面裂隙連接; structural method 裂隙連接與纖維放射; palette 低飽和朱砂紅、礦物青與暖象牙白; miniature cultural scene 一位成年紙藝匠人在修補紙面裂紋; depicted action 用小錘與紙片沿裂隙進行手工修補; cultural artifacts 紙片、小錘、毛筆與少量鍛補釘; event information 日期與地點未提供，不顯示；不虛構活動資訊; canvas 3:4 vertical. Use warm ivory handmade paper with 45%–60% generous active negative space. Make the large pigment field the primary visual, arranged methodically using the chosen structure; express the theme through paper fibers, cutouts, connected cracks, positive/negative shape transformation, or rubbing marks rather than ordinary realistic objects. Give the field visible natural fibers, pulp particles, watercolor or mineral-pigment deposits, rough natural edges, and matte texture. Keep colors complete but low-saturation: large shapes read from a distance, material detail rewards close viewing. Near the field, show a tiny illustrated cultural scene occupying only 3%–5% of the poster: 一位成年紙藝匠人在修補紙面裂紋, genuinely performing 用小錘與紙片沿裂隙進行手工修補 with 紙片、小錘、毛筆與少量鍛補釘. Bind the adult artisan's identity to configured reference ref-10a-v1. Render people as two-dimensional paper-based light-color illustration: simple features, slight volume, flat color blocks, and a few continuous clothing-fold lines, belonging to the same visual world as the paper and pigment. Avoid photorealistic people, 3D miniatures, CGI lighting, strong cast shadows, and realistic depth of field. Connect the small scene to the large visual through a material-scale bridge such as fibers, paper scraps, cracks, mending staples, ink marks, tool traces, or the paper itself, so the small handcraft action extends into the large pigment structure. Place 紙上修補 in small modern Song/Ming-style typography within the negative space. Set date, location, and 日期與地點未提供，不顯示；不虛構活動資訊 in restrained smaller type; because no actual event date or venue is supplied, do not invent either. Keep typography subordinate to the visual and add no meaningless placeholder copy. Reading order: negative space and large color field → structure → paper-fiber texture → miniature scene → craft action → title/event text. The result should be striking from afar and reveal paper texture, detail, and cultural narrative up close. Avoid giant title, generic Chinese-style illustration, realistic people, 3D miniatures, photographic background, PPT grid, commercial-ad look, dirty aged paper, random noise, CGI, glass/mirror materials, logo, watermark, numbering, or starburst ornaments.
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