Virtual Outfit Design Workflow

English prompt

OUTFIT CHOICES → LOW BUN → PERFUME → COMPLETE LOOK → FINAL TURN 10 shots, 20 seconds. REFERENCES @image1 = character sheet. The large left portrait controls facial geometry, features, skin texture and identity. The right full-body panel controls proportions and the starting black satin camisole and pajama shorts. Her hair begins loose and is securely gathered into a low bun in Shot 6. @image2 = exact wardrobe design, colour and material reference: orange-and-black plaid off-the-shoulder blouse, black pleated mini skirt with orange lower layer, wide black corset belt with gold buckle, black knee-high Western boots, black baker-boy cap, black shoulder bag, sheer black tights, layered gold necklaces, domed oval gold clip-on earrings and one gold ring. Orange fabric carries brand colour #FF4900. CAMERA AND EDITING LOCK One vertical camera remains firmly locked to the same position in the doorway from 0.0 to 20.0 seconds. Camera height, frontal 0° angle, fixed 47° field of view, exposure and lens character stay identical throughout. Doorway edges, wall mouldings, vanity and bed retain exactly the same size, perspective and alignment in every shot. Every boundary is a one-frame instantaneous straight HARD CUT, exclusively at the nine listed times. All changes in subject distance occur during omitted edit intervals. Each shot begins with the woman already at its specified distance and in its specified clothing. The camera records only the action listed within that shot. Presented items remain fully visible with space around their edges. Face and items stay in focus. Full-body framing includes her entire cap and both boot soles with margins throughout the turn. SETTING AND LIGHT A realistic apartment bedroom with a dressing area, viewed through an open doorway. Warm ivory walls with restrained mouldings and honey-toned oak parquet. A walnut vanity stands toward the back-left, holding a few cosmetic bottles, an open jewellery box and a small illuminated lamp with a cream shade. An oval mirror above it reflects the opposite interior wall. Part of a bed appears at the right edge with cream bedding and natural soft creases. A softly upholstered stool is tucked beneath the vanity. The central floor stays clear; furniture remains beside and behind her. Soft daylight enters from camera-left through a sheer curtain, illuminating her face and clothing. The vanity lamp adds a small warm pool of light behind her. Fixed white balance preserves natural skin warmth, rich black materials and vivid orange fabric. Exposure stays fixed. PERFORMANCE AND PHYSICS She treats the lens like a friend watching her get ready. Her eyes move naturally between each item and the viewer. Small smiles, loose shoulders, rhythmic energy, natural blinking, skin texture and living eye reflections. Fabric follows gravity, the bag swings with believable weight, jewellery rests against skin and both feet contact the floor. WARDROBE CONTINUITY Shots 1–5: black satin camisole and matching pajama shorts from @image1, bare feet, loose highlighted hair. Shots 6–7: orange-and-black blouse already worn and fully buttoned, its broad folded neckline across the upper arms with shoulders exposed. The camisole has been replaced during the cut. Pajama shorts remain beneath the blouse. Hair becomes a low bun during Shot 6 and stays secured afterwards. Shots 8–9: blouse, black pleated skirt with visible orange lower layer and sheer black tights already worn; blouse hem tucked into the skirt. Shot 10: complete outfit from @image2, including corset belt, jewellery, cap, bag and tall black suede Western boots. BOOT HEIGHT: both shafts extend all the way up to the knees; their tallest front edges finish immediately below the kneecaps. Preserve pointed toes, curved Western shaft tops, tonal stitching and slanted heels. The knee-high shafts remain fully extended during the final turn. HAIR: the compact bun sits low at the nape, below the rear edge of the cap. Hair colour and facial identity remain those of the character sheet. Two fine face-framing strands remain beside her cheeks after the bun is secured. SEQUENCE SHOT 1 | 0.0–1.5s | SKIRT PRESENTATION She stands centred at the presentation distance, framed from crown to mid-thigh, wearing the black satin pajamas with loose hair. She holds the black pleated skirt by both ends of its waistband against her waist. One light hip shift makes the pleats and orange lower layer sway. She glances down at the skirt, then meets the lens with a brief smile. 1.5s — INSTANT STRAIGHT HARD CUT SHOT 2 | 1.5–3.0s | BLOUSE PRESENTATION Same presentation distance, same pajamas and loose hair. She holds the orange-and-black blouse in front of her torso by its upper edges. One small lift reveals the broad folded neckline, fitted body, front buttons and long sleeves. She checks the plaid, then looks back at the viewer. 3.0s — INSTANT STRAIGHT HARD CUT SHOT 3 | 3.0–4.3s | CORSET BELT DETAIL She is already closer to the fixed camera, still in her pajamas with loose hair. Both hands hold the wide black corset belt, its gold buckle centred toward the lens. The belt and her eyes above it stay visible. She briefly aligns the buckle and looks over it with a small smile. 4.3s — INSTANT STRAIGHT HARD CUT SHOT 4 | 4.3–5.5s | CAP PRESENTATION She holds the black baker-boy cap at chest height, still wearing pajamas with loose hair. Her face stays visible above it. She tips it slightly to show the rounded crown and curved visor, then looks from the cap to the lens. 5.5s — INSTANT STRAIGHT HARD CUT SHOT 5 | 5.5–7.0s | BAG PRESENTATION She holds the complete black shoulder bag in front of her chest, one hand supporting its base and the other holding its strap. Her face is visible above it. Pajamas and loose hair remain. She gives the bag a small quarter-turn so its gold clasp catches the light, then returns its front toward the viewer. 7.0s — INSTANT STRAIGHT HARD CUT SHOT 6 | 7.0–10.0s | TYING THE LOW BUN The orange-and-black off-the-shoulder blouse is already worn and fully buttoned. She stands at the presentation distance with her body slightly angled and her head gently turned so her face and hands at the nape remain readable. Her hair is already gathered into a loose low ponytail, with a black elastic around her fingers. In one continuous action she twists the gathered length into a compact low coil, stretches the elastic around it and releases both hands. The bun rests at the nape below the future rear edge of the cap. Her crown lies smooth, two fine strands beside her cheeks. 10.0s — INSTANT STRAIGHT HARD CUT SHOT 7 | 10.0–11.5s | PERFUME She is already closer, wearing the blouse with her low bun secured. She holds a small clear perfume bottle beside her neck. She lifts her chin slightly and presses the atomiser once. Fine realistic mist disperses beside her neck. Her eyes briefly close during the spray, then she lowers her chin and reconnects with the viewer through a soft smile. 11.5s — INSTANT STRAIGHT HARD CUT SHOT 8 | 11.5–13.5s | SKIRT APPEARS She is already farther back, framed from head to just above her knees. She now wears the blouse, black pleated skirt with its orange lower layer and sheer black tights. The blouse hem is neatly tucked into the skirt; the low bun remains secured. She makes one small adjustment at both sides of the waistband, then releases it. The pleats settle naturally and the continuous orange border remains visible. She checks the outfit, shifts her weight and looks into the lens. 13.5s — INSTANT STRAIGHT HARD CUT SHOT 9 | 13.5–15.5s | GOLD CLIP-ON EARRING She is already closer. Layered gold necklaces, one gold ring and one domed oval gold clip-on earring are in place. Her low bun leaves both ears accessible. She positions the second clip-on at her other earlobe and gently closes its rear clip with her fingertips. She lowers her hand, makes a small head turn to show the curved gold surface and gives a brief smile. 15.5s — INSTANT STRAIGHT HARD CUT SHOT 10 | 15.5–20.0s | COMPLETE OUTFIT REVEAL She is centred at the full-body distance, entirely visible from cap to both boot soles. She wears the complete outfit: orange-and-black plaid blouse, wide black corset belt centred at the waist with its gold buckle forward, black pleated skirt with orange lower layer, sheer black tights, knee-high black suede Western boots, layered gold necklaces, two domed gold clip-on earrings and one gold ring. The cap sits above the low bun. The blouse stays tucked beneath the waistband and belt. She holds the black bag by its strap in her left hand. She holds the frontal view for half a beat, lightly touches the cap visor with her right fingertips, then lowers her hand. With two small grounded steps she turns in place through a side view into a back three-quarter view. The low bun becomes visible beneath the back of the cap. Pleats move with gentle delayed motion, the orange lower layer stays visible and the bag swings with realistic weight. Both boot shafts remain extended up to the knees. She finishes with her head turned naturally over her shoulder toward the lens, cheeks lifting into a warm smile. She holds this pose through 20.0 seconds. AUDIO One continuous upbeat instrumental fashion track with rhythmic accents at the specified cuts. Subtle fabric movement, one perfume spray, a soft jewellery click and grounded boot steps. STYLE AND OUTPUT Photorealistic fashion-blogger reel, natural phone-video rendering, detailed skin, hair and fabrics. 20 seconds, vertical 9:16, exactly 10 shots, real-time movement within each shot. POSITIVE LOCKS One woman, one room, one fixed camera position and one fixed field of view. Straight instantaneous HARD CUTs only at the nine specified boundaries. Wardrobe changes and changes in standing distance occur in omitted edit intervals. The low bun stays secured from Shot 6 onward. Both final boots reach the knees. One gold ring and one matching pair of gold clip-on earrings.