OpenZhenZhen AI 提示词画廊 · zhenzhen-image-g-v2.5-lowprice · image
Papercraft Diorama Poster
请将我上传的每一张照片分别制作成一张独立的高级设计海报，不多图拼接，每张照片单独输出。整体采用3:4竖版构图，上下两个区域高度严格1:1，各占画面50%。 上半部分保留原始照片，保持主体身份、结构、姿态、真实质感、自然光影和原有色彩氛围，仅进行轻微高级调色，使其具有艺术杂志、独立出版物与展览图像质感。为适配画幅，可自然扩展环境背景，但不得拉伸、扭曲或改变主体。 下半部分先理解原照片最值得被记住的**核心主题、主体关系、结构走势、情绪气氛与视觉隐喻**，再重构为**留白构图的立体纸艺小景插画 / 极简留白式纸雕微缩场景插画**。不要逐物复制照片，而是删去无关细节，只保留最能代表原物的结构、走
提示词 / Prompt
中文提示词
请将我上传的每一张照片分别制作成一张独立的高级设计海报，不多图拼接，每张照片单独输出。整体采用3:4竖版构图，上下两个区域高度严格1:1，各占画面50%。 上半部分保留原始照片，保持主体身份、结构、姿态、真实质感、自然光影和原有色彩氛围，仅进行轻微高级调色，使其具有艺术杂志、独立出版物与展览图像质感。为适配画幅，可自然扩展环境背景，但不得拉伸、扭曲或改变主体。 下半部分先理解原照片最值得被记住的**核心主题、主体关系、结构走势、情绪气氛与视觉隐喻**，再重构为**留白构图的立体纸艺小景插画 / 极简留白式纸雕微缩场景插画**。不要逐物复制照片，而是删去无关细节，只保留最能代表原物的结构、走势和视觉记忆点，将人物、建筑、动物、植物、器物或景观概括为一个**小体量、集中式的纸艺主景**，使人一眼识别它与上方照片之间的对应关系。 整体采用**layered papercraft / paper-cut collage / paper relief** 逻辑：以裁切、堆叠、拼贴的一层层纸片构成立体小景，保留轻微厚度感、浅浮雕感与柔和纸张层次。主体不追求复杂透视与满版铺陈，而是以少量清晰形体、层叠纸片和简洁结构完成重构，形成精致、克制、治愈的小景式表达。 构图保持**小尺度主体 / 大面积留白**的关系。主体偏小，可根据自身方向、比例与视觉重心自由安排位置，可偏心、贴边、悬置或局部裁切，但始终形成一个清晰而集中的视觉落点。四周保留大量有意识的留白，让负空间成为画面的一部分，与纸艺主体共同构成呼吸感、空间感与编辑式平衡。宁可删减，也不要填满。 材质强调**纸雕拼贴的手工感**：保留纸张纤维、切边、层叠边缘、轻微纸厚、柔和阴影与温和触觉感，使整体像精致的手工纸艺微缩场景，而不是光滑矢量或写实3D模型。避免复杂纹理堆积、塑料感、照片滤镜和过度精修。 配色严格采用**柔和纸艺色系**：以低饱和、高明度、温暖米白基底为基础，整体参考浅天蓝、粉雾蓝、米白、奶油白、暖灰、雾绿、鼠尾草绿、浅卡其、淡木色等柔和环境色，再根据上方照片提取1–2个最有识别度的颜色作为局部点睛，可转化为珊瑚红、砖橘红或其他少量温暖强调色。整体气质应轻盈、温柔、治愈、清新，避免灰脏、暗沉、廉价高饱和和糖果感。 文字只作极少量编辑性介入，不限制语种，也不预设固定标题或编号。可根据主体、地点、动作、情绪或象征意义，自由提炼少量字词或短句，采用**纤细、克制、疏朗、略带出版物感的现代字体**，安静地置于留白区域或主体边缘，与图形形成精致的图文混排关系。 整体呈现**微缩纸艺主景、柔和纸张配色、大面积艺术留白、浅浮雕层次与高级编辑排版**共同构成的视觉效果。避免逐物转绘、画面填满、复杂背景、卡通感、强3D感、模板化拼贴和廉价手作感。
English prompt
Create an independent high-end design poster for each uploaded photo separately. Do not combine multiple images; output each photo individually. Overall layout: vertical 3:4 aspect ratio, strictly divided into two equal horizontal halves (top 50% and bottom 50%). Upper Half: Preserve the original photograph. Maintain the subject's identity, structure, pose, authentic texture, natural lighting, and original color atmosphere. Apply only subtle, high-end color grading to achieve the质感 of an art magazine, independent publication, or exhibition image. To fit the aspect ratio, the environmental background may be naturally extended, but the subject must not be stretched, distorted, or altered. Lower Half: First, comprehend the core theme, subject relationships, structural flow, emotional atmosphere, and visual metaphors of the original photo. Then, reconstruct it as a negative-space composition featuring a 3D papercraft diorama illustration or a minimalist paper-cut micro-scene. Do not copy objects one-by-one; instead, remove irrelevant details and retain only the structures, flows, and visual memory points that best represent the original. Summarize people, architecture, animals, plants, objects, or landscapes into a small-scale, centralized papercraft main scene, ensuring an immediate recognizable connection to the photo above. Overall Logic: Adopt a layered papercraft / paper-cut collage / paper relief logic. Construct the 3D micro-scene using layers of cut, stacked, and collaged paper pieces. Retain a slight sense of thickness, shallow relief, and soft paper layering. The subject should not pursue complex perspective or full-page coverage; instead, use a few clear forms, layered paper pieces, and concise structures to create a refined, restrained, and healing small-scene expression. Composition: Maintain a relationship of a small-scale subject against large areas of negative space. The subject should be relatively small and can be freely positioned based on its direction, proportion, and visual center of gravity (e.g., off-center, edge-aligned, suspended, or partially cropped), always forming a clear and focused visual anchor. Surround it with ample intentional negative space, letting the negative space become part of the image and creating a sense of breath, spatial depth, and editorial balance alongside the papercraft subject. Prefer reduction over filling. Material & Texture: Emphasize the handmade feel of paper sculpture collage: retain paper fibers, cut edges, layered edges, slight paper thickness, soft shadows, and a gentle tactile quality. The overall look should resemble an exquisite handmade paper micro-scene, not a smooth vector or realistic 3D model. Avoid complex texture accumulation, a plastic look, photo filters, and over-retouching. Color Palette: Strictly use a soft papercraft color scheme. Base it on low-saturation, high-brightness, warm off-white tones. Reference soft environmental colors like pale sky blue, misty blue, off-white, cream white, warm gray, misty green, sage green, light khaki, and pale wood tones. Extract 1–2 most recognizable colors from the upper photo as local accents, which can be translated into coral red, brick orange, or other small amounts of warm emphasis colors. The overall temperament should be light, gentle, healing, and fresh. Avoid dirty grays, darkness, cheap high saturation, and a candy-like feel. Typography: Use minimal editorial intervention for text, with no language restrictions or preset fixed titles/numbers. Freely distill a few words or short phrases based on the subject, location, action, emotion, or symbolism. Use thin, restrained, airy, modern fonts with a slight publication feel, placed quietly in the negative space or near the edges of the subject to form a refined text-image layout. Overall Visual Effect: Present a visual effect composed of a micro-scale papercraft main scene, soft paper color palette, large areas of artistic negative space, shallow relief layering, and high-end editorial typography. Avoid object-by-object redrawing, filling the frame, complex backgrounds, a cartoonish feel, strong 3D effects, templated collage, and a cheap handmade look.
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