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Постер: реальные люди на фоне монохромной рукописной среды

Real People in Monochrome Hand-Drawn Settings Poster

«Постер: реальные люди на фоне монохромной рукописной среды» — работа с использованием gpt-image-2.5 на OpenZhenZhen. Изучите исходный промпт и пример генерации для собственных проектов.

Постер: реальные люди на фоне монохромной рукописной среды — AI image creation
Постер: реальные люди на фоне монохромной рукописной среды

Промпт

Промпт на китайском

将完整的ref-10a-v1实际照片仅通过identity_reference作为唯一照片与身份输入。制作一张3:4竖版对照海报。上半部展示原始照片；下半部仅将环境转译为线稿。上下两部分都须让同一位成年女性保持照片级真实：保留面部特征、肤色、棕色长发、神态、姿势、黑色细肩带上衣、如有的饰品、身体比例、原始取景与裁切、镜头角度、人物大小和位置。不得重绘人物、换衣或改变动作，不增减人物，不镜像、不重新居中、不随意缩放、不移动人物、不创造新动作，也不得缺失肢体。人物正在拿着或使用的重要物件可以继续保留实际照片质感。 下半部分去除环境的摄影质感，并将实际背景转换为柔和暖白纸面。只简化原图中确实可见的背景物件，保持其原有位置与比例；保留可识别的轮廓和空间关系，同时去除背景原有颜色、真实阴影、摄影纹理和材质表现。实际ref-10a-v1人像只有干净、近乎均匀的深青蓝棚拍背景，看不到建筑、树木、山体、墙面、门窗、窗帘、家具、书籍、植物、灯具、地毯、相框、地面、道路或桌面。不要虚构这些物件。只在空白背景区域用少量松散的单色轮廓线呼应原有青蓝背景边界和负空间布局；线条保持在人物后方并与人物分开，不要画到人物身上，也不要把人物转成线稿。 下半部分的整个环境只使用一种饱和单色墨线。实际照片中有清晰的非中性色深青蓝；选用该深青蓝，调整为清晰、明亮、中等饱和度，作为唯一线稿颜色。不混用第二种颜色。线条采用中粗号记号笔与圆珠笔之间的随手画感，而非精细钢笔画或铅笔素描：允许轻微抖动、粗细与压力略有变化、转折和连接不完全精准、少许越界及松散的一次性轮廓。线条保持简单、略显笨拙且随性。由于这张实际照片背景没有书本、植物、灯具、窗户、布料道具或家具，不要补画这些示例物件。 下半背景大部分保持未着色，保留大量暖白留白，画面轻松透气，略带未完成手稿感。只有当地面、道路、桌面、墙脚或台面确实出现在原图中时，才为其画基本轮廓和少量结构缝线；这张人像中没有这些元素。不使用灰色底，不画真实投影，不大面积填色，不制造3D明暗。让真实照片人物继续作为视觉主体，自然叠加在单色手绘环境之上。 形成“真实主体 × 粗粝单色手绘环境”的鲜明反差，气质偏向编辑拼贴、独立杂志生活插画、素朴环境涂鸦、干净暖白纸张、极简、有趣、松弛。下半部分是带有人手痕迹的概括性背景手稿，而非精致插画。不要把真实人物画成插画或卡通；不改变人物身份、脸、服装和姿势；不额外增加人物或原图不存在的重要物件；避免缺手、缺脚或其他肢体错误、多色线稿、写实摄影背景、渐变、水彩、3D、动漫、漫画或精致矢量插画。不添加文字、Logo、水印、界面元素或任何UI。

Промпт на английском

Use the complete actual ref-10a-v1 photograph as the sole photo and identity input via identity_reference. Create one vertical 3:4 comparison poster. The top half shows the original photograph. The bottom half shows a line-art translation of the environment only. In both halves, keep the same adult woman photorealistic: preserve her facial features, skin tone, long brown hair, expression, pose, black thin-strap top, accessories if present, body proportions, original framing and crop, lens angle, person size and position. Do not redraw the person, change clothing or movement, add or remove people, mirror, recenter, scale randomly, reposition her, invent new actions or omit limbs. Important objects held or used may retain their actual photo texture. In the bottom half, remove the environment's photographic texture and convert the actual background to soft warm-white paper. Simplify only background objects that are genuinely visible in the source, preserving their original positions and proportions; retain recognizable outlines and spatial relationships, while removing original background color, realistic shadows, photographic texture and material rendering. The actual ref-10a-v1 portrait has a clean, nearly uniform deep-teal studio background, with no visible buildings, trees, mountains, walls, doors, windows, curtains, furniture, books, plants, lamps, carpets, frames, ground, road or tabletop. Do not invent any of these objects. In the empty background zones only, use a few loose monochromatic line contours that echo the existing teal field boundary and the source's negative-space layout; keep them behind and separate from the woman, never drawing over her or turning her into line art. Use exactly one saturated monochromatic ink line for the entire lower environment. The actual photo has a clear non-neutral deep teal; select that deep teal, adjusted to a clear bright medium saturation, as the only line color. Do not mix in a second color. Draw with a casual medium-marker/ballpoint feel rather than fine-pen or pencil technique: allow slight wobble, modest variation in width and pressure, imperfect turns and joins, a little overshoot and loose one-pass contours. Keep the linework intentionally simple, slightly clumsy and spontaneous. As there are no books, plants, lamps, windows, fabric props or furnishings in this actual background, do not draw examples of those items. Keep the lower background largely unfilled, with abundant warm-white negative space, a relaxed airy layout and a slightly unfinished manuscript quality. Only if a ground, road, tabletop, wall corner or counter is actually visible may it receive a basic outline and a few structural seams; none is visible in this portrait. Do not use a gray base, draw realistic shadows, fill large areas with color or create 3D light and shade. Let the real photographic woman remain the visual subject, naturally layered over the single-color hand-drawn environment. Create a clear contrast of realistic subject and coarse monochromatic hand-drawn environment, with an editorial-collage, independent-magazine lifestyle illustration, simple environmental-graffiti, clean warm-white paper, minimalist, interesting and relaxed feeling. The lower half is a generalized background manuscript with human traces, not a refined illustration. Do not draw real people as illustrations or cartoons; do not change identity, face, clothing or posture; do not add people or important objects absent from the source; avoid missing hands, feet or limbs, multicolor line art, a realistic photographic lower background, gradients, watercolor, 3D, anime, manga or refined vector illustration. Do not add text, logos, watermarks, interface elements or any UI.

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