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Сравнительный сплит-постер: фото и рисованная манга

Photo to Japanese Hand-Drawn Manga Comparison Split Poster

«Сравнительный сплит-постер: фото и рисованная манга» — работа с использованием gpt-image-2.5 на OpenZhenZhen. Изучите исходный промпт и пример генерации для собственных проектов.

Сравнительный сплит-постер: фото и рисованная манга — AI image creation
Сравнительный сплит-постер: фото и рисованная манга

Промпт

Промпт на китайском

本次将已提供的 ref-10a-v1 整幅 JPG 作为实际原始照片，也是这张海报唯一的视觉来源。照片中是一位成年女性，留有深棕色长发，深色眼睛、珊瑚色嘴唇，穿简洁的黑色细肩带上衣，背景为深青蓝色。创作一张竖向 3:4 的照片转日式插画对比海报。 构图 将整个画布分为上下两个相等的水平面板，每个面板恰好占总高度的 50%，且宽度相同。两部分无缝衔接，不留间隙，不设边框，不重叠，也不加装饰性分隔线。 上半部分 — 原始照片 直接展示所选照片并保持原样：不得重绘、重新着色、修图或添加文字。按比例缩放，不拉伸或扭曲。如有需要，只裁去周边纯背景，同时完整保留女性主体及所有重要可见细节。如果适配面板会损害照片的核心内容，则以浅灰奶油色向外延伸边缘；绝不虚构或重建缺失部分。 下半部分 — 日式手绘漫画 根据这张照片忠实重绘同一位女性，采用日式手绘漫画风格和极简限量色彩丝网印刷海报美感。身份、外观、姿势、结构、构图、布局、可见场景及可见元素之间的关系均只以这张照片为依据。保留她可辨识的面部形状、发型轮廓、表情、姿势、可见手势和服装类别；将面部简化为干净的漫画形状，将头发画成成组流动的发束，而非单根发丝，以优雅简化的形态表现服装。仅描绘照片中可见的内容，并保留接触、重叠和遮挡关系。不得增加照片中不存在的主体、道具、手势、结构或场景细节。来源中关于动物、物品和景观的保留要求仅在照片确实出现这些对象时适用；此处不添加此类内容。无需额外风格参考图。 线条与色彩 使用精致的近黑色墨线轮廓（#02030B），呈现不同力度、细微线宽变化、偶尔停顿及略不规则的手绘边缘。内部线条保持极简，只保留定义形体所需的结构细节。采用干净、连续、不透明的平涂色块，将阴影合并为少量硬边形状。保留女性基本的自然颜色和独特识别性色彩。避免单根发丝、密集排线、照片级写实纹理和过度装饰。 下方面板背景使用浅灰奶油色（#ECEDE5）。以暖红色（#E9444B）为主强调色，少量使用柔和蓝灰色（#5296BD）；保持女性可辨识，强调色与主体协调。插图四周留出充足空白。插图不得触及面板边缘或填满整个面板，不得用大块背景色填满空白，也不得在插图周围添加边框。

Промпт на английском

Use the entire supplied ref-10a-v1 JPG as the actual original photograph and the exclusive visual source for this poster. It shows one adult woman with long dark-brown hair, dark eyes, coral lips, a simple black thin-strap top, and a deep teal-blue background. Create a vertical 3:4 photo-to-Japanese-illustration comparison poster. COMPOSITION Divide the full canvas into two equal horizontal panels, each exactly 50% of total height and the same full width. Let them meet seamlessly with no gap, border, overlap, or decorative divider. UPPER HALF — ORIGINAL PHOTO Show the selected photograph itself, unchanged: do not redraw, recolor, retouch, or add text. Scale proportionally without stretching or distortion. If needed, crop only peripheral plain background while keeping the woman and all important visible details intact. If fitting the panel would compromise essential photo content, extend the edges with light grayish cream instead; never invent or reconstruct missing parts. LOWER HALF — JAPANESE HAND-DRAWN MANGA Faithfully redraw the same woman from this photograph as a Japanese-inspired hand-drawn manga illustration with a minimalist limited-color screen-print-poster aesthetic. This photograph alone supplies her identity, appearance, pose, structure, composition, layout, visible scene, and relationships between visible elements. Preserve her recognizable facial shape, hairstyle silhouette, expression, pose, visible gestures, and clothing category; simplify facial features into clean manga shapes, render hair as grouped flowing masses rather than individual strands, and express clothing with elegant simplified forms. Depict only what is visible, preserving contact, overlap, and occlusion. Add no subjects, props, gestures, structures, or scene details absent from the photograph. The source's animal, object, and landscape preservation instructions apply only if such subjects are actually visible; none are added here. No additional style-reference image is needed. LINEWORK AND COLOR Use delicate near-black ink outlines (#02030B) with varied pressure, subtle line-weight changes, occasional pauses, and slightly irregular hand-drawn edges. Keep interior lines minimal and retain only structural details needed to define form. Use clean, continuous, opaque flat colors and merge shadows into a small number of hard-edged shapes. Preserve the woman's essential natural colors and identifying color patterns. Avoid individual hair strands, dense hatching, photorealistic texture, and excessive decoration. Set the lower-panel background to light grayish cream (#ECEDE5). Use warm red (#E9444B) as the dominant accent and muted blue-gray (#5296BD) sparingly; keep the woman recognizable and the accents complementary. Keep ample negative space around the illustration on all sides. Do not let it touch the panel edges or fill the panel, do not fill empty space with large background-color blocks, and do not add a border around the illustration.

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